Skip to main navigation menu Skip to main content Skip to site footer

"The Children of Heaven" as a Cultural Mirror: Reflecting Ethnic Narratives in Iranian Children's Film

Abstract

Following the Iranian New Wave and the Islamic Revolution, Iranian filmmakers established a distinct tradition of children's film. Iranian films began to gain international recognition, being screened at prestigious film festivals and winning various awards. This article explores the emergence of children's film in Iran post-New Wave, examining its unique characteristics. It also delves into how Iranian children's films address ethnicity through themes, narratives, and filmtic language, using The Children of Heaven as a case study. The rise of Iranian children's film has highlighted a key observation: what is national can also be global. In the context of globalization and the dominance of Western aesthetics as the standard, Iranian filmmakers have successfully crafted films that preserve national identity while appealing to a broader audience. This approach offers valuable insights for contemporary Chinese film.

Keywords

Iranian Children's Films, National Characteristics, Narrative Techniques, Artistic Expression

PDF

References

  1. Dönmez-Colin, G. (2002). Refugees in Love and Life: An Interview with Majid Majidi. Asian Cinema, 13(1), 87-92.
  2. Karbassian, A. (2000). Islamic revolution and the management of the Iranian economy. Social Research, 621-640.
  3. Morgan, D. (2006). Rethinking Bazin: Ontology and realist aesthetics. Critical Inquiry, 32(3), 443-481.
  4. Naficy, H. (1979). Iranian feature film: A brief critical history. Quarterly Review of Film & Video, 4(4), 443-464.
  5. Newman, G. E., & Bloom, P. (2012). Art and authenticity: the importance of originals in judgments of value. Journal of Experimental Psychology: General, 141(3), 558.
  6. Nojoumian, A. A. (2019). Constructing Childhood in Modern Iranian Children’s Cinema: A Cultural History. The Palgrave Handbook of Children's Film and Television, 279-294.
  7. Sadr, H. R. (2006). Iranian cinema: A Political History. New York: I. B. Tauris, pp. 303.
  8. Sheibani, K. (2011). The poetics of Iranian cinema: Aesthetics, modernity and film after the revolution. London: Bloomsbury Publishing, pp. 117-139.
  9. Taine, H. (2024). History of English literature. In Literature and Philosophy in Nineteenth Century British Culture (pp. 187-192). Routledge.
  10. Tan, Z., & Zhang, Y. (2024). The Evaluation System of Global Cinematic Strength and the Advancement of Chinese Films. Journal of Chinese Film Studies, 4(3), 605-622.