Visual Symbols: The Intertextual Core of the Film "30,000 Miles of Chang'an" from the Perspective of Deconstructionism
Abstract
As an audio-visual art, the visual symbols presented in the film have always been the focus of research and attention. In addition to discussing the details of the visual presentation of the film itself, it is more important to interpret and explain the cultural expression contained in the visual symbols. In the new era and new context, the Silk Road culture has been vigorously promoted and publicized, and many excellent literary and artistic works have been produced. "Chang'an" is one of the representative works. Based on the visual symbols presented in the film "Chang'an", this paper will analyze the intertextual connotations hidden behind it from the perspective of deconstructionism, and explain the value expression of the overall Silk Road culture.
Keywords
visual symbols, deconstructionism, intertextuality, Silk Road culture
References
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