Skip to main navigation menu Skip to main content Skip to site footer

Catering and Distortion: The Construction of the "Republic of China" Concept in Cultural and Museum Venues under the Influence of Consumerism

Abstract

This paper focuses on the negative impacts of consumerism and market orientation on the construction of the Republic of China exhibition area within cultural and museum venues. Taking the Republic of China Pavilion in Nanjing Museum as a prime example, it delves into the phenomena of distortion and alienation of the "Republic of China" concept in this context, along with their root causes, adverse effects, and explores the paths for cultural and museum venues to strike a balance between commercial interests and cultural inheritance. It thereby provides theoretical and practical references for the healthy development of the cultural and museum sector and the accurate dissemination of historical culture.

Keywords

Consumerism, Republic of China, Cultural and Museum Venues, Historical and Cultural Inheritance, Impact on Public Cognition


References

  1. Shan, J. X. (2018). From "museum spaces" to the "world at large." Chinese Museum , (02), 42-43.
  2. Chen, Y. Y. (2023). Creating retro-style street scenes for immersive experiences of the Republican era: A case study of the Republic of China Pavilion at the Nanjing Museum. Southeast Culture , (S2), 46-51.
  3. MacCannell, D. (2013). The tourist: A new theory of the leisure class. University of California Press.
  4. Singh, P. R. (2012). Consumer culture and postmodernism. LOGOS, Universality, Mentality, Education, Novelty: Philosophy and Humanistic Sciences , 1(1), 469-506.
  5. Qian, Y., & Dai, Q. (2021). Exploring exhibition models of "urban historical landscape reproduction": A case study of the Republic of China Pavilion and the "Born from Movement" exhibition. Southeast Culture , (03), 148-154.
  6. Benjamin, W. (2018). The work of art in the age of mechanical reproduction. In A museum studies approach to heritage (pp. 226-243). Routledge.
  7. Norberg-Schulz, C. (2019). Genius loci: Towards a phenomenology of architecture (1979). Historic Cities: Issues in Urban Conservation , 8, 31.
  8. Jameson, F. (2016). Postmodernism, or the cultural logic of late capitalism. In Postmodernism (pp. 62-92). Routledge.
  9. Bourdieu, P. (2018). Distinction: A social critique of the judgement of taste. In Inequality (pp. 287-318). Routledge.
  10. Kay Hin TAN, K. (2018). The tourist gaze: Leisure and travel in contemporary societies.
  11. Lowenthal, D. (1998). The heritage crusade and the spoils of history. Cambridge University Press.
  12. Baudrillard, J. (1998). The consumer society: Myths and structures (Vol. 53). Sage.
  13. Huyssen, A. (2012). Twilight memories: Marking time in a culture of amnesia. Routledge.
  14. Barthes, R. (1964). Elements of semiology. Communications , 4(1), 91-135.
  15. Assmann, J. (2007). Cultural memory: Writing, remembrance, and political identity in early advanced civilizations (Vol. 1307). CH Beck.