Research article

From Pioneering to Splendor: A Reexamination of the Development of Northeast China’s Cinema in the Context of Sino-Soviet Friendship at the Beginning of the Cold War

Abstract

As early as the late 1940s, the United States as the leader of the Western camp and the Soviet Union as the leader of the communist camp has been due to the values, ideology of the very different and serious gap, the outbreak of the Cold War is inevitable, as a former world power, dominated the Warsaw Pact of the Soviet Union, although the Soviet Union has become a thing of the past, but in the early years of the founding of the Soviet Union, the Soviet Union actually served as the “big brother” and “guide” dual role in the economic development of our country, social development and the development of art played an immeasurable influence on the effect. The dual role of “big brother” and “guide” played an immeasurable influence on the economic development, social development and artistic development of our country. At the beginning of the Cold War, the Soviet Union not only took the lead in establishing good diplomatic relations with China, but also shared the socialist camp with China. During this period, the Soviet Union’s construction and development of China’s cinema was obvious to all. By accepting the work guidance of Soviet experts and introducing advanced Soviet machines, China also quickly ushered in new breakthroughs in cinematic art and technology, and realized development and exchanges at the cultural level. 


Keywords

Northeastern Film
Cold War
Cultural Exchange

Author’s information

Shan Jin
School of Film Art, China Academy of Art, Hangzhou 310024, China


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About the article

Shan Jin. (2024). From Pioneering to Splendor: A Reexamination of the Development of Northeast China’s Cinema in the Context of Sino-Soviet Friendship at the Beginning of the Cold War. Journal of Global Trends in Social Science, 1(1). DOI: https://doi.org/10.70731/s3k28613

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2024
The Author(s). Published by Jandoo Press.